Over the next couple weeks, I’m exploring HDR grading in more depth from some background info and talking to a couple industry experts (this Insight), to the essentials of getting setup for HDR grading in Resolve and Premiere Pro (which is possible in the latest CC 2015 update). My client has given me the time with their footage to get comfortable with HDR – see what works, what doesn’t work and most importantly – learn as I go!īy the way, this is the same client that allowed me to learn stereoscopic 3D grading under a similar set of circumstances, so yes, I’m very lucky to get to learn about new technology and a new grading approach – while getting paid (10 cents on the dollar, but paid none the less). What I mean by that, is a longtime client who does a lot of large scale installation type projects (think museums) is trying to see if they want to do an upcoming project in HDR.įortunately for me, this means that for the next week I get to experiment and play with HDR – grading some sample material using a dedicated HDR reference monitor (more on that below) without the pressure of an actual deadline. HDR is on my mind these days, and as I mentioned on the MailBag Episode to kickoff the 2015 Mixing Light Holiday Marathon, I’m starting a 7 day ‘HDR test’ this week. A few tweaks in language have been updated to keep it current (without detracting from it’s ‘first look’ feel when written in 2015).ĭay 8: 25 Insights in 25 Days Holiday Marathon Background Info & Two Conversations About HDR Updated June 2018 – This article has been updated to fix broken links. Tutorials / HDR Essentials / HDR Essentials: What’s HDR? Series
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